Album Review: Rhythms of Reflection - John Surman’s ‘Words Unspoken’

John Surman has spent decades skillfully weaving jazz with folk traditions, crafting a sound that is at once innovative and complex, yet deeply melodic and inviting. His latest album, "Words Unspoken," arrives as a significant marker in his career—not only does it celebrate his 80th birthday, but it also marks 45 years since his debut with ECM Records. This album is thus a dual celebration: a milestone of personal achievements and a testament to his lasting impact on music.

Surman first graced the ECM stage with his 1978 release "Upon Reflection," and ever since, he has been an indispensable figure within the label’s eclectic roster. "Words Unspoken" is not merely a testament to his longevity but a vibrant showcase of his evolving artistry, accompanied by Rob Luft on guitar, Thomas Strønen on drums, and Rob Waring on vibraphone—all seasoned ECM veterans in their own rights.

The album opens with “Pebble Dance,” a track that immediately sets a dynamic tone. Surman's mastery in conjuring vivid imagery is evident as he evokes scenes of pebbles swirling in a vigorous stream, with his soprano saxophone leading a spirited ensemble performance. The track is fresh and engaging, with each note painting a picture of natural movement, guided by Surman's fluid playing and the ensemble’s tight interplay.

In contrast, the title track "Words Unspoken" begins with a more subdued and mysterious ambiance. The tempo slows, yet Surman’s melodic lines weave through the quieter landscape with grace, gradually building tension. The subtler drum work gives room for the saxophone’s ornamental complexities to shine, supported by the resonant textures from Luft and Waring.

“Around the Edges” takes on an abstract form, echoing the gentle descent of a falling leaf with its rhythmic yet decaying tone, capturing a sense of melancholy and introspection. This mood shifts dramatically in “Onich Ceilidh,” which brightens the atmosphere with Luft’s tightly structured, twinkly guitar work that hints at math rock influences. The song is structured more tightly, evoking a friendly, less gloomy atmosphere compared to previous tracks. Surman’s saxophone and Waring’s vibraphone play leading roles, but Luft's guitar soon takes center stage with a sparkling solo that masterfully dissolves into the finale, providing a standout moment on the album.

These tracks are not only highlights but also exemplars of the album’s cohesive yet exploratory nature. "Words Unspoken" integrates seamlessly into Surman's discography, enhancing the ECM aesthetic with a collaborative spirit that respects the individual talents of each musician. Surman’s approach to the album was to create a framework where musical ideas could be openly interpreted and developed, a philosophy that has clearly paid off, as evidenced by the ensemble's synergy. “It wasn’t so much the musical ideas, but the musicians themselves that made it work,” Surman reflects. This realization epitomizes the success of "Words Unspoken," confirming that the true essence of this project lies in the collective genius of its participants.

"Words Unspoken" stands as a robust addition to contemporary European jazz, masterfully encapsulating the essence of Surman's vision and his ensemble's adept execution. It is a testament to a career that, even as it reaches significant milestones, continues to innovate and inspire. Mission accomplished indeed.

For those interested in catching Surman and his talented ensemble live, here are their upcoming dates as they tour to perform tracks from "Words Unspoken":

• April 17, 2024 - G Livelab, Helsinki, FI
• April 18, 2024 - G Livelab, Tampere, FI
• May 7, 2024 - Maijazz, Stavanger, NO
• May 25, 2024 - Rncm Theatre, Manchester, GB
• June 10, 2024 - Ronnie Scott's, London, GB
• June 12, 2024 - Cemal Resit Rey Concert Hall, Istanbul, TR
• July 21, 2024 - Inntöne Jazzfestival, Diersbach, AT

Each venue promises a unique setting to experience the vibrant and textured landscapes Surman so masterfully creates.