Lubomyr Melnyk is a Ukrainian-Canadian composer and pianist renowned for his unique style of continuous music, often referred to as "continuous piano" or "continuous music." Born in 1948 in Munich, Germany, Melnyk began his musical journey at a young age and eventually developed a groundbreaking technique known as "continuous music," which involves rapid notes played with both hands in a continuous flow.
Melnyk's career spans over four decades, during which he has composed and recorded numerous albums that have captivated audiences worldwide. His early works include the critically acclaimed debut album "KMH: Piano Music in the Continuous Mode" released in 1979. This album introduced Melnyk's revolutionary approach to the piano, showcasing his ability to play an astounding number of notes per second while maintaining an ethereal and meditative quality.
Throughout his career, Lubomyr Melnyk has collaborated with various artists from different genres, including experimental musicians and composers such as James Blackshaw and Peter Broderick. His collaborations have resulted in fascinating musical fusions that push the boundaries of contemporary classical music.
Melnyk's style is characterized by its hypnotic and transcendental nature. His compositions often create a sense of timelessness through the repetition of intricate patterns and cascading melodies. The mesmerizing effect of his music has earned him a dedicated following among fans of minimalism and avant-garde music.
In recent years, Lubomyr Melnyk's work has gained significant recognition, leading to performances at prestigious venues such as the Royal Albert Hall in London and the Sydney Opera House. He has also been featured in prominent festivals like Big Ears Festival and Le Guess Who? festival.
Melnyk's accomplishments extend beyond his performances and recordings. In 2013, he set a world record for the longest solo piano concert lasting over 19 hours. This feat not only demonstrated his extraordinary stamina but also highlighted his commitment to pushing the boundaries of what is possible in music.
|Dec. 04, 23||Café de la Danse||Paris||FR|
|Dec. 06, 23||Le Botanique||Brussels||BE|
|Dec. 18, 23||Musikbunker Aachen||Aachen||DE|
|Dec. 20, 23||Sala Dei Giganti - Palazzo Liviano||Padua||IT|
|Dec. 21, 23||Passionskirche||Berlin||DE|